Described as a “new music visionary” (National Arts Centre), composer Andrew Staniland has established himself as one of Canada’s most important and innovative musical voices. His music is performed and broadcast internationally and has been described by Alex Ross in the New Yorker Magazine as “alternately beautiful and terrifying”. Important accolades include 3 Juno nominations, ECMA awards, the 2016 Terra Nova Young Innovators Award , the National Grand Prize winner of EVOLUTION (presented in 2009 by CBC Radio 2/Espace Musique and The Banff Centre), and was the recipient of the Karen Keiser Prize in Canadian Music in 2004. As a leading composer of his generation, Andrew was recognized by election to the Inaugural Cohort of the College of New Scholars, Artists and Scientists Royal Society of Canada.
Andrew served as Affiliate Composer to the Toronto Symphony Orchestra (2006-09) and the National Arts Centre Orchestra (2002–04), and has also been in residence at the Centre du Creation Musicale Iannis Xenakis (Paris, 2005). Recent commissioners and collaborators include Germany’s Flex Ensemble, the National Arts Centre Orchestra, American poet and activist Jessica Care Moore, cellist Frances-Marie Uitti, and Les Percussions de Strasbourg. Andrew also performs as a guitarist and with new media (computers and electronics).
Andrew is currently Professor at Memorial University in St John’s Newfoundland, where he founded MEARL (Memorial ElectroAcoustic Research Lab). At MEARL, Andrew leads a cross-disciplinary research team that has produced the innovative JADE and Mune digital instruments: www.munemusic.com
2024 | ECMA Award: Composer of the Year: Blackwood Sketches |
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2023 | ECMA Award Nomination: Classical Artist of the Year: Reddened by Hammer. |
2023 | ECMA Award Nomination: Composer of the Year |
2023 | MusicNL Nomination: Classical Artist of the Year. |
2021 | ECMA Award Nomination: Peter Quince at the Clavier. Classical Composition of the Year. |
2020 | Orion Constellation Theory selected for performance as part of the official Canadian selection for the ISCM World Music Days in Auckland/Christchurch New Zealand. |
2019 | ECMA Award Nomination: Earthquakes and Islands. Classical Composition of the Year. |
2018 | Nickel Independent Film Festival Best Music Award for the original score “Immaculate Memories: The Uncluttered Worlds of Christopher Pratt” |
2018 | JUNO Nomination: Phi, Caelestis. Classical Composition of the Year. |
2018 | ECMA Award: The River is Within Us. Classical Composition of the Year. |
2017 | JUNO Nomination: Dark Star Requiem. Classical Composition of the Year. |
2017 | JUNO Nomination: Dark Star Requiem. Classical Recording of the Year: Choral or Vocal. |
2016 | Terra Nova Young Innovators Award, Suncor/Memorial University. ($50,000) |
2015 | University of Lethbridge Distinguished Alumnus of the Year. |
2014 | Elected to the Inaugural Cohort of the College of New Scholars, Artists and Scientists Royal Society of Canada (RSC). |
2014 | President’s Award for Outstanding Research, Memorial University of Newfoundland. |
2014 | Harry Freedman Recording Award: Talking Down the Tiger. |
2012 | Pentagrams selected as part of the official Canadian selection for the 2014 ISCM World Music Days in Wroclaw, Poland. |
2012 | International Music Prize for Excellence in Composition 2011. Finalist. National Academy of Music (USA). |
2010 | Government of Newfoundland and Labrador Research and Development Corporation IRIF Ignite! Research Grant: $ 100,000 |
2010 | Nominated for the KM Hunter Award in Music – Ontario Arts Council. |
2009 | National Grand Prize ($20,000), Canadian Broadcasting Corporation’s Evolution Composers Competition: Devolution |
2009 | Prix de l'Orchestre de la Francophonie Canadienne, Canadian Broadcasting Corporation’s Evolution Composers Competition: Devolution |
2008 | First Prize, Prairie Emerging composer Award: Protestmusik |
2007 | Gaia chosen by the Canadian Broadcasting Corporation to represent Canada at the UNESCO International Rostrum of Composers in Paris, France. |
2007 | Second Prize, Pierre Mercure Award, SOCAN Young Composers Competition: Full Circle |
2006 | First Prize, Hugh LeCaine Award, SOCAN Young Composers Competition: Despite Bright Ideas |
2006 | Second Prize, Pierre Mercure Award, SOCAN Young Composers Competition: Air |
2006 | After the Crash selected for performance during the 2007 ISCM World Music Days in Hong Kong |
2005 | First Prize, Pierre Mercure Award, SOCAN Young Composers Competition: After the Crash |
A new long form work for guitar virtuso Rob MacDonald. Premiere at Sound Symposium in summer 2024
Supported by the Canada Council, a new song cycle in collaboration with Jessica Care Moore, Erika Switzer, LaToya Lain, and Wendel Patrick
Original Score for Nik Sexton's narrative drama SKEET, starring Sean Dalton and Jay Abdo
a new collaboration with the Quasar Saxophone quartet with electronics. Montreal and Perpignan 2024
a new work for the PhoeNX Ensmeble for erhu, cello, and dizi
A new work for snare drum and electronics for Ryan Scott's 21st Century Snare Drum Project. Funded by the Canada Council for the Arts.
A new concerto for virtuoso violist Stephen Sitarski. Premiere November 2022 with the Esprit Orchestra
A new work for harp and delay lines inspired by the stars for extrodinary harpist Michelle Gott. Premiere in Maryland USA June 2023
For percussion soloist Rob Power and Lady Cove Women's choir. Premiere and Recording coming soon!